30 Days of Writing–Day 8: Favorite Genre

Kathleen Woodiwiss's The Flame and the Flower

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First week down and second week kicks off with:

8. What’s your favorite genre to write? To read?

Favorite novel-length genre to write is anything with a romance in it:  romantic suspense, romantic comedy, paranormal romance and even my latest WIP, an urban fantasy, has a strong romantic element to it.  But there are rules to romance, as much as I hate to say it.  The number one rule is the girl gets the guy in the end for a happily ever after or at least happy for now ending.  If she doesn’t, you can’t call it a romance.  That’s one reason why my current WIP is now urban fantasy.  (Sorry Dori fans.)

Romance keeps me writing, holds my interest, because, let’s face it, writing a novel can be very tedious at times, especially when editing.  If I’m going to have to read something a hundred million times, it had better be made of stuff I really, really like.

For short stories, anything goes. I’ve written science fiction, humor, romance, horror, spiritual, mystery, and erotica.  My inspiration shows no particular genre preference, with the exception that I’ve yet to write a western, high fantasy or historical piece.  It’s shameful I’ve not written anything historical since I do love to read historical romances.  The reason is simple–I’m lazy, too lazy to research period clothing, manners, language and social mores.  I’d be far too likely to have a heroine saying things like, “Oh my God, that like totally sucks you ran into Lord Easterly while wearing last season’s hat.  But maybe he was too busy trying to sneak a peek at your ankles to notice.  Tee hee.”

As for reading, I have two types of books I like–escapist pleasure and water cooler reads.  The purely pleasurable reads are the ones that make you feel good, stick with you for a week or two, maybe even inspire the odd daydream, but are mostly forgotten with in a few months.

Water cooler reads are the books people are rave about–Oprah’s picks, Pulitzer Prize wannabes, books about to be made into movies.  Many are literary fiction, but others are simply pop phenomena.

Here’s my shorthand guide for distinguishing between the two types of reads and determining the publisher’s aspirations for a novel.  I flip to the back cover and look at the author’s picture.  If she looks gravely serious, someone thinks or hopes the book will be the critics’ darling.  If the author looks like she’s tickled pink you’re even considering buying her book or she’s affected a pose in keeping with the book itself (a la Nora Roberts in her long black coat and turtleneck when she’s detective writer JD Robb), it’s a fun read and she’s laughing all the way to the bank.  That’s the kind I don’t have to force myself to crack open.  No offense to the literary / critically acclaimed types, they usually ARE good, but often I have to work with them to get to the point where I’d tell my co-worker at the water cooler it’s a must read.  Book clubs and Oprah pick these novels to read and discuss, not the pleasure books, though I wish they would lighten up a little.  Maybe more people would read Oprah’s picks if they knew Oprah and crew might spend a good chunk of time discussing Lord Easterly’s roguish attempts to seduce the virginal Lady Blacker.

Me, when I sell my first book, I want a big ol’ picture of me laughing, yes laughing, with my head cocked to the side and my hands thrown up in the air in a giddy “whee!” gesture.  I want it air-brushed to make me look twenty years younger, my waist nipped in, teeth whitened, cleavage enhanced, hips shaved down, legs digitally altered to lengthen and slim them. Give me all that and I won’t even care if my hair is a bit wrinkled.

30 Days of Writing–Day 7: Musical influences

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Day 7 and no rest for this chica.  Today’s topic is music, specifically:

7. Do you listen to music while you write? What kind? Are there any songs you like to relate/apply to your characters?

I wish I could listen to music while I write, but the two activities don’t play well together in the sandbox.  Music tends to be the bigger bully and tries to monopolize my attention.  If my writing is somehow able to fell Goliath, it’s usually because the tunes have drifted into B-sides or less favored ones.  When that happens, I don’t hear them anymore so what’s the point of hitting play in the first place other than to stall the writing process?

If I do succumb to the allure of music while writing, I have a fairly eclectic mix of songs I’ve loaded up on an embedded playlist.  Or I’ll launch iTunes and play my library.  You’ll typically see new age, folk, pop, soundtracks, stuff I get for free from Starbucks and loved, stuff I heard on  SYTYCD and loved.  But I throw in the occasional rap, zydeco, reggae, jazz, Broadway, classical, country/western, grunge, metal, techno, and moldy oldies.

Songs that relate or apply to characters abound.  That’s what my commute to and from work is about.    That’s when I give full rein to music to inspire scenes, dialogue, emotional tone.  My kids tease me about playing the same songs in my car ALL.THE.TIME, but there’s a reason for it.  Music that I’ve linked to a current WIP becomes a trigger for creative thinking.  I swear many of my stories have elements that started off as music videos in my head.

Sometimes the unscratched itch of a musical association won’t let go until it’s released to a different medium.  It can be a relentless muse (which I cringe to write because I’m not a fan of discussing “muse” personifications and behaviors, find it a bit pretentious.)  This year I’m finally giving in to one based on the Sinead O’Connor song from the film, In The Name of The Father.  For 17 years I’ve been listening to The Thief of Your Heart (off and on–I’m not Rainman, afterall) and imagining the story I have finally outlined and will make my 2010 NaNo project.  We’ll see if, like a fine wine, age has improved the vision and power of the story, or if it’s more like that layer of sticky sludge at the bottom of a garbage can that only a solid power washing will take care of.

Another medium that can fuse music and writing is the book trailer.  I know some people hate them, think a poorly done one can harm a book rather than help it.  So be it.  Me, it’s less about marketing (cause I ain’t sold anything yet) and more about expression of the story.  I made one for my WIP, The PURE, and am itching to make another for My Fair Vampire but not until I’ve finished editing, writing the query and synopsis for it.  Call it incentive to complete the less sexy parts of writing a novel.

Whether a mood-setter, an influencer or a means of alternate expression, music can be a powerful tool for a writer.  I can’t imagine writing without its existence and if I were to suddenly go deaf (God forbid), I think my writing might wither and die from lack of nourishment.  We can’t have that now can we?